Takashi Miike’s Courtroom Thriller Sheds Its Complexity
There’s no denying that Takashi Miike’s “Sham” is dramatically efficient. Nonetheless, it could be one of many uncommon courtroom thrillers that’s, at instances, too efficient for its personal good. One would suppose there’s no such factor, however the film’s engrossing visible and tonal language is all about seeding doubt, a promise on which Miike over-delivers,
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