Benson Boone‘s “American Coronary heart” has made its debut on the Billboard 200 at No. 2 because the Grammy-nominated artist‘s second prime 10 album.
After conquering the charts with “Stunning Issues,” essentially the most streamed music of 2024, the music’s father or mother LP, “Fireworks and Rollerblades,” peaked at No. 6 (with 58,000 items earned). He surpasses his earlier mark along with his sophomore full-length studio album, “American Coronary heart,” incomes 61,000 album items in its first week, in accordance with Luminate. The ten-song pop album consists of the highest 30-charting “Sorry I’m Right here for Somebody Else” and “Mystical Magical,” with the latter having fun with a viral second due to its memorable point out of a mysterious “moonbeam ice cream” (and a collaboration with the Crumbl cookie firm).
Main the checklist this week for the sixth week in a row is Morgan Wallen’s “I’m the Drawback” with 177,000 album items. It additionally continues as the highest streaming album of the week with 220 million streams.
Additionally within the prime 10 of the newest Billboard 200, Karol G debuts at No. 3 along with her third prime 10-charting album, “Tropicoqueta.” It debuts with 57,000 equal album items earned. She beforehand led the checklist at No. 1 with “Mañana Será Bonito” in 2023, making a historic stride as the primary all-Spanish-language report by a feminine artist to hit No. 1.
The Colombian singer advised Selection of the genre-spanning, “Tropicoqueta,” “Not everybody will take pleasure in this album the identical. There’s so much happening and these sounds and kinds imply various things to totally different folks, however I couldn’t be prouder of the way it’s come collectively.”
Elsewhere on the Billboard 200, the “KPop Demon Hunters” soundtrack enters at No. 8 because the highest-debuting soundtrack of the yr with 31,000 equal album items earned. The supernatural motion comedy was helmed by Sony Footage Animation, the studio accountable for “Spider-Man: Into the Spider-Verse” and “The Mitchells vs. the Machines.”
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