Testing Limits of a Mom’s Unconditional Love
For anybody craving some traditional Julianne Moore vitality, director Michael Pearce’s “Echo Valley” appears like a throwback to the fierce copper-coifed star’s early profession. Earlier than “Brief Cuts” and “Boogie Nights” and a well-deserved Oscar win, Moore performed the duly suspicious snoop in “The Hand That Rocks the Cradle.” That early-’90s thriller might have been
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