Though the brand new sequence “Revival,” which debuts June 12 on Syfy, is a spooky story concerning the undead coming again to life, one of many scariest moments truly occurred whereas taking pictures the ultimate episode of the season. Aaron B. Koontz, the present’s co-creator, showrunner and govt producer, remembers the final night time of the shoot, wherein a good schedule almost toppled manufacturing.

“Samir Rehem, the wonderful director for our second block, there was a second the place he was actually catatonic,” Koontz says. “He simply stood there. I’m like, ‘Samir, what are we going to do?’ He’s like, ‘I don’t know what to do.’ I’m like, ‘Properly, we obtained to get the crane. We gotta transfer over there,’ and he’s like, ‘Aaron, Aaron, not now.’ I’m about to go direct the tip of the scene as a result of I believe we simply broke our director as a result of he couldn’t work out how one can make this present day work. That is the literal final day of the shoot, which additionally sadly is the climax of Episode 10. He’s feeling all this stress, and we’re like, ‘How did we let this occur? How did we schedule this manner?’”

Like all scrappy creatives, the crew took a collective breath, regrouped and located its rhythm to finish the day. The result’s a flashy, ingenious present primarily based on the favored comics from Tim Seeley and Mike Norton that’s full of ambition — regardless of a complete funds that Koontz jokes is lower than an episode of a high-profile present like “Shōgun.”

“Revival” is ready in a Wisconsin city the place a bunch of useless persons are abruptly introduced again to life one night time. Melanie Scrofano stars because the small-town cop who, with the assistance of native oddballs, tries to determine what occurred. Tied up on this supernatural drama is a homicide she should additionally clear up, utilizing clues from that particular person’s revival.

Koontz says the comedian guide’s sense of place — which he describes as a mixture between “Fargo” and “Mare of Easttown” — drew him into the undertaking.

“The bizarre characters, the bizarre setting, the agricultural noir, the homicide thriller the place the particular person continues to be alive,” he says. “I’m like, ‘What the hell is that?’ Then you definitely mix that with this supernatural style by line that’s actually rad. I fell in love instantly.”

Koontz is not any stranger to low-budget horror initiatives, having written, directed and produced cult hit movies like “Scare Bundle” and “The Pale Door,” in addition to govt produced the Reddit-based anthology sequence “Tales From the Void.” Making small productions really feel huge is among the expertise he was capable of faucet into to get “Revival” made.

“There’s solely so many locations in a low-budget present the place you may attempt to punch above your weight class,” he says. “It’s a must to actually watch out about framing and your look, really feel and coloration palette. That may make it really feel a bit larger than it’s. Our costume designer thrifted for months. I would like bizarre jackets, bizarre coats, bizarre every thing. All these things must infuse character. If individuals care sufficient to concentrate, it will likely be there and all of that begins to tell.”

This planning, mixed with the solid and crew’s eagerness to make the very best present attainable, made for a manufacturing that stretched each greenback to ensure it had an influence on display.

“I believe what allowed me to be OK as a showrunner was my producing background,” Koontz says. “At any time when issues are thrown at you, the Murphy’s Regulation of all of it, I’m capable of keep calm, determine it out and downside clear up. Having all that have over 25 or so options, we’re like, ‘OK, we’ve solely obtained this location to do that factor. How can we make this work?’”

Regardless of the obstacles thrown at him, Koontz is thrilled with the chances of a second season of “Revival,” even teasing off-the-record some concepts he’s been kicking round.

“We’re doing the literal craziest stuff on this on this sequence,” he says. “Even when it was damaging no matter levels inside this freezing warehouse in December in the midst of an evening shoot, I like it. That’s this world and life I’ve chosen.”

Watch the trailer for “Revival” under.

This interview has been edited and condensed for readability.