Bruce LaBruce’s Spunky Riff on ‘Teorema’
A low-budget romp set in modern London towards a curdled cultural backdrop of racist politics, Bruce LaBruce’s “The Customer” pays express homage to Pier Paolo Pasolini’s sexually provocative final characteristic, “Teorema.” The cheeky Canadian director’s graphic reimagining sees numerous mysterious suitcases showing right here and there, every of which seems to comprise an equivalent bare
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