It’s been 30 years for the reason that publication of Nick Hornby’s novel “Excessive Constancy,” and there’s a purpose that it has been tailored right into a film, a TV present and a Broadway musical. Seems, a e-book about monitoring down your exes in hopes it should make it easier to perceive why your newest relationship failed is extraordinarily prescient – even when it got here out throughout the dial-up period.

“Laid,” the Peacock comedy from Nahnatchka Khan and Sally Bradford McKenna and tailored from the Australian format of the identical identify, is “Excessive Constancy” for a technology raised on true crime and procedural tv.

Stephanie Hsu stars as Ruby Yao, a 30-something social gathering planner who’s each desperately looking for a meet-cute and biding her time till she finds The One by testing out different obtainable choices within the Seattle space. She’s just a little weirded out when she learns of a school boyfriend’s sudden passing, however then extra exes begin falling — some in shocking and surreal methods like a police capturing and others from drawn-out sickness. Generally these relationships had been long-term courtships; others had been random hookups who can solely be known as an “ex-boyfriend” by the loosest of definitions. Generally they barely keep in mind Ruby. Generally they keep in mind her fairly effectively and have some laborious truths to share earlier than they shuffle off this mortal coil.

Ruby’s prime ally on this scavenger hunt is her finest good friend and roommate AJ (Zosia Mamet), a bartender and Amanda Knox stan who transfers her well-honed data of the Italian authorized system and extradition practices into an elaborate intercourse timeline to allow them to attempt to stop a few of these deaths. Not essentially as useful are AJ’s boyfriend Zack (Andre Hyland), Ruby’s ex Richie (Michael Angarano) and the brand new object of her affection, Tommy Martinez’s Isaac, a good-looking consumer who hires Ruby to plan his dad and mom’ fortieth marriage ceremony anniversary social gathering.

Very like Peacock’s “Poker Face,” every episode of “Laid” permits for random actors and comedians like Simu Liu, John Early and Mamoudou Athie to pop in because the “case of the week.” Additionally, “Laid” will get to enjoy making absurd comedy about one thing that’s truly fairly terrible. Not like “Poker Face,” its heroine doesn’t have as sturdy an ethical compass or world weariness; Ruby is a Zennial who does digital remedy periods as a result of it’s simpler to zone out throughout them as a substitute of doing the work. She contemplates if seeing outdated flames keel over like dominoes is simply what it’s prefer to be in your 30s. 

“Laid” additionally will get to do one thing that evades many female-centric TV reveals: raunch. It’s a present that could be very a lot about intercourse and courting tradition, and its characters speak in a extra graphic and sincere means than the women from Max’s “And Simply Like That…,” however with out the sense of self-discovery and finality that comes with Hulu’s most cancers dramedy “Dying for Intercourse.” So far as intercourse and pleasure go, this isn’t Ruby’s first rodeo. The theme music, “Laid,” is a Nineties ballad of addictive and poisonous romance by the alt-rock band James (“My therapist says to not see you no extra / She mentioned you’re like a illness with none treatment”).

However the forged and creators additionally perceive the lineage that bought them thus far. Ruby and Isaac bond over a shared love of the oeuvre of rom-com king Billy Crystal, and he or she learns that his favourite strategy to unwind is to bust some strikes to the Hugh Jackman film “The Biggest Showman,” making a meme-able second for anybody who has spent too many Sundays on a sofa with motion pictures like “27 Attire” and “13 Occurring 30.”

“Laid” is proof that, though romantic comedy tropes are likely to go spherical and spherical, they may also be remixed.