The brand new Billboard 200 album chart has an uncommon quantity of recent blood, with debuting releases accounting for 5 of the highest 10 titles — beginning with “Jackboys 2,” from Travis Scott and his Jackboys collective, getting off to a strong begin within the No. 1 spot, adopted by Justin Bieber‘s first album in additional than 4 years, “Swag,” bowing in second place.

The Travis Scott undertaking got here in with 232,000 equal album models, with Bieber chalking up 163,000 models at No. 2. The opposite prime 10 bows have been the reconstituted rap act Clipse’s “Let God Kind Em Out” at No. 4, with 118,000 models; Okay-Pop group Twice’s “This Is For” at No. 6, with 80,000 models; and Giveon’s “Beloved” at No. 8, with 44,000.

The information for the highest 10 comes from Luminate, as first reported by Billboard.

The highest two albums for the week really feel like they need to include asterisks connected, and footnotes to elucidate the extraordinarily totally different paths they took to the highest (or near-top) — one weighted closely towards gross sales, and the opposite dependent nearly solely on streaming.

“Jackboys 2,” the second launch from the Cactus Jack label, consists of songs from Scott and his rap collective — consisting of members Don Toliver, Sheck Wes, Chase B, SoFaygo, Wallie the Sensei and Luxurious Tax 50. The album’s success was largely sales-driven, as its 232,000 equal album models included 160,000 copies offered as pure album gross sales, thanks partly to numerous variants being placed on sale. Billboard experiences that the album was launched as each a seven-song EP (together with 5 totally different vinyl editions up on the market on the artist’s webstore) and a 17-track expanded version (which had 5 variants of its personal, together with a CD, on prime of the same old digital launch) — earlier than a 20-song model went up for grabs on the finish of the week. Whereas “Jackboys 2” was a gross sales monster, it was solely the fourth-biggest streaming album of the week, with 94.86 million on-demand streams.

(One extra asterisk: The tallies for “Jackboys 2” would have been even greater if it had gone on sale on Friday, like nearly all different releases, nevertheless it got here out on a Sunday, so solely 5 days of consumption have been measured for the week.)

In the meantime, Bieber’s “Swag” bowed with 163,000 equal album models — however nearly none of these got here from precise album gross sales, because it was a late-breaking shock launch with no bodily product within the market in any respect, and no vinyl anticipated to be out for months to come back. Solely 6,000 of these 163,000 “Swag” models have been comprised of gross sales, all of them digital downloads. But Bieber nonetheless had a potent debut, due to his largest streaming week ever, with 198.77 million on-demand official streams, led by the observe “Daisies” turning into the highest track on streamers like Spotify and Apple Music. Maybe evidently, with all that consumption, “Swag” did land at No. 1 on the streaming chart.

Wherefore artwork thou, Morgan Wallen? The seemingly unstoppable run of “I’m the Drawback” on the prime of the Billboard 200 lastly got here to an finish — for now. After eight weeks at No. 1, his blockbuster fell to No. 3 in its ninth week out. However at 147,000 models for the week, it was struggling solely a 3% decline from the earlier week, marking it as a possible wager to return to No. 1 quickly.

(The Wallen album in all probability received’t be transferring again to the highest spot proper away, nevertheless, as Tyler, the Creator’s Monday launch is predicted to imagine that slot, even with solely 4 days of exercise in retailer for it.)

Amongst holdovers, the “KPop Demon Hunters” soundtrack bought pushed all the way down to No. 4, despite the fact that it’s nonetheless on the rise in consumption, registering a ten,000-unit enhance to 85,000 for the week.

Ateez reentered the chart at No. 7 with “Golden Hour: Half 3” following the discharge of a deluxe version, racking up 79,000 equal album models for the week and giving Okay-pop three spots within the prime 10.

Closing out the highest 10 have been Wallen’s earlier blockbuster, “One Factor at a Time,” at No. 9, and SZA’s “SOS” at No. 10.